The Uncanny: New Directions

This paper delves into the concept of the uncanny, a theme that has fascinated scholars across multiple disciplines, including psychology, philosophy, literature, and film studies. The study’s primary goal is twofold: to examine the theoretical foundations of the uncanny as explored by Jentsch, Freud, and Heidegger, and to propose a new perspective on the uncanny within the context of modern technological and urban developments. The paper argues that urban, technologically advanced environments foster conditions in which the uncanny can easily emerge, and suggests that the adoption of a techno-scientific worldview plays a central role in the rise of uncanny experiences. Through an analysis of Hoffmann’s The Sandman, this paper revisits classical theories of the uncanny and connects them with contemporary realities. Jentsch’s emphasis on cognitive uncertainty, Freud’s exploration of repressed traumatic memories, and Heidegger’s focus on the broader atmospheric conditions of the uncanny are all examined. The paper concludes by reflecting on how urbanization, technological dependency, and scientific reductionism contribute to a profound sense of alienation, increasing the likelihood of uncanny experiences in the modern world.