Comparative historical analysis reveals distinctive decorative patterns and palettes across 19th-century Uzbek weaving schools, highlighting Khan-atlas as a foundation of cultural identity.
This article delves into the history, legends, and production secrets of Khan-atlas, a fabric deeply woven into the fabric of Uzbek national culture and intangible heritage. The study offers a comparative look at the traditional "abrband" art, exploring the distinctive decorative patterns and vibrant color palettes of the Samarkand, Bukhara, and Fergana weaving schools that flourished in the 19th century.
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Sevara Khodjamatova (2026) studied this question.
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