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This paper explores the use of repeat photography as a powerful method to produce knowledge about place. I use examples from research in Waterton Lakes National Park, Canada, to describe the process of making a repeat photograph, from locating images in archives, to the embodied act of locating a historic vantage point, to the production of a new photograph. This act brings art and anthropology into a shared space to recreate photographs, an act that goes beyond looking at historical images in archives to move our thinking onward about how we relate to images.
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Trudi Lynn Smith (2007) studied this question.
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