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This essay examines two prominent models for the interpretation of Native American rock art, highlighting projections of Euro-American gender ideologies and tensions over masculinity onto (pre)historic cultures. Specifically, the figure of the Native American shaman models masculine power as symbolic and spiritual, not physical, yet linked to a virile heterosexuality. By identifying discursive homologies, this centering of a primitive, spiritual masculinity is understood as a response to the Euro-American “crisis of masculinity.”
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Richard Rogers (2007) studied this question.
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