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Elshtain argues that the realist—idealist divide serves no useful heuristic or even polemical purpose. Beginning with Tom Stoppard's acclaimed trilogy, The Coast of Utopia, Elshtain unpacks utopian arguments of recent vintage, showing their distinctive features. She goes on to display the utopistic/idealist `moments' in the work of self-described `realist' E. H. Carr as part of a critical re-examination of Carr's work. The article continues with an appreciative assessment of Martin Wight, concluding that his `idealism' is far more `realistic' than are the arguments of many `realists'. The article's concluding section makes the case for Augustinian realism.
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Jean Bethke Elshtain (2008) studied this question.
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