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The Royal Commission on National Development in the Arts, Letters and Sciences (The Massey Commission, 1949-1951) is widely seen to be Canada’s most important position paper on national cultural policy. This article explores the relation of this significant document to UNESCO and its characteristic discourse of “cultural relations.” Not only did UNESCO appear in the terms of reference for the Massey Commission Report, but it also was a repeated touchstone for submissions to the Commission. This overlooked international aspect of the Massey Commission underscores the connection between politics and culture in Cold War Canada providing a clear case of how international political language becomes entangled with—and helps to legitimize—artistic and cultural endeavours. The combination of the discussion of education and culture with that of development and trade allowed Canada to reconsider its position on public funding for the arts.
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Zoë Druick (2006) studied this question.
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