STATEMENT OF PURPOSE Medicine, law, business, engineering, these are all noble pursuits, and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. ~ Dead Poet’s Society Art and culture is still alive and thriving in fandoms!Fandoms are communities where people can create, share and appreciate each other's imaginative worlds through stories, artworks, discussions and memes. Fandoms have long been dismissed as irrational, obsessive, and childish. However, through my personal experiences within multiple fandom spaces and my observations as an aesthete and as a “fan”, I have realized that fandoms serve a profound purpose in people’s lives. They function as emotional sanctuaries, creative outlets, and modern cultural engines which contradicts the ubiquitous commercialisation of ‘art’ separating it from money and fame. This project seeks to explore fandoms as spaces of healing, inclusion, creative outlet, and representation, moving beyond the traditional perception of fans as mere consumers. As I delve deeper into the world of “fans”, I aim to investigate how fandoms operate as communities where people find belonging, understanding and recognition. I am interested in understanding how fan-made content such as fan fiction, edits, art and videos address narrative gaps left by mainstream media due to commercial, economical, political, editorial, or social constraints. These acts of “repair” reveal the deeply creative, collaborative, and restorative nature of fandom participation. Through this project, I would like to discuss : how fans reimagine storylines for a more satisfying, if not a better narrative than the original, how fan communities create spaces of inclusion for marginalized groups: including communities such as the LGBTQIA+ community, neurodivergent individuals, and people of color, how fandoms reshape existing narratives, challenge the status quo, and foster inclusivity online. In conclusion, the purpose of this project is to showcase fandoms as a space for collective imagination, emotional support, creative activism, and cultural change.
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Riddhi Agarwal (2026) studied this question.
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