This research paper examines and analyzes the colonial attitudes embedded in Paulo Coelho’s novel, The Alchemist. The author introduces the novel through an Orientalist perspective. Santiago, the novel's protagonist, embodies a Western gaze as he navigates the foreign landscapes. He employs local characters to serve as facilitators of his growth. This dynamic perpetuates a colonial hierarchy that privileges Western knowledge and experiences over non-Western perspectives. The novel portrays non-Western cultures as exotic, simplistic, and subordinate. These reinforce stereotypes that diminish their complexities and richness. In addition to the colonial attitudes, the novel portrays the universal themes like self-discovery, personal transformation, etc. Furthermore, the study delves into the implications of spiritual universalism. This spiritual universalism frames enlightenment through a Western lens. Additionally, the research analyzes the risks of erasing the cultural specificity of the societies depicted. This study employs a postcolonial theory to explore the marginalization of a culture of the non-Western societies depicted in the text. This cultural specificity of the non-West risks the erasure of their identities and histories.
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Churamoni Kandel (2025) studied this question.
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