The Gallo-Roman dodecahedron (c. 130 known examples, c. AD 200–late 4th century) remains one of the least understood artefact classes of the Roman north-western provinces. This paper argues that the question of function can be narrowed by separating features that are dictated by manufacturing technique from features that reflect deliberate design choice. First, it argues that hollow lost-wax casting around a refractory core explains the hollow body, the thin walls and at least one pair of openings (the so-called production holes). It cannot explain the full set of twelve graded apertures, the concentric-circle ornament or the vertex knobs, which must therefore be treated as intentional. Second, it reviews the metrical and use-wear evidence against the main utilitarian models (range-finder, surveying gauge, knitting frame, candle-holder, wax-forming tool) and finds none of them consistent with the absence of standardisation, the scarcity of wear and the regional distribution. Third, it examines depositional contexts (graves of men and women, coin and bronze hoards, sacred sites, rivers and a stratified pit at Norton Disney, Lincolnshire). On this basis it proposes a testable two-phase model. In Phase 1 (c. AD 200–3rd century) dodecahedra were valued household possessions with a cosmological and protective (apotropaic) meaning. In Phase 2 (late 3rd–4th century) surviving examples increasingly circulated as curated heirlooms and ended their lives in graves, hoards and pits. The paper states explicitly where the evidence is ambiguous, notably at Norton Disney, and sets out archaeometric and contextual tests that could falsify the model.
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Illia Shcherbyna (2026) studied this question.
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