This study draws on the ideal victim framework and narratological theories of emotional arc to examine how victims are portrayed in the globally popular South Korean series Squid Game . Using a quantitative content analysis, it investigates whether the frequency of deserving victims and the level of deservingness follow the inverted-U emotional trajectory commonly associated with classical tragedies. Findings suggest that the convergence towards a single mid-series climax was either statistically nonsignificant or undetectable, which may be explained by the show’s large number of victims, its game-based fragmented structure and its complex moral characterisation. These findings extend the ideal victim framework into fictional storytelling and offer preliminary evidence that emotional arcs in non-Western serial tragedies may diverge from well-established Western models. The study contributes to understanding how fictional narratives frame victimhood and highlights the need for further research on audience sympathy and narrative form.
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Angela Ren Lee (2026) studied this question.
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