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Ushbu tezisda XIX asr fransuz va britan orientalistik tasviriy san'atida Usmonli ayoli obrazining shakllanishi, ideallashtirilishi va siyosiy ma'noga ega bo'lishi qiyosiy usulda tahlil qilinadi. Tadqiqot Edvard Saidning "Orientalizm" (1978) asari va undan keyingi postkolonial nazariy yondashuvlarga tayanadi. Fransuz rassomlari (Ingr, Delakrua, Jerom) va britan rassomlari (Jon Frederik Lyuis, Frederik Leyton) asarlari misolida ayol tanasi, harem, hammom va bozor sahnalarining ikki milliy maktabda qanday turlicha, lekin umumiy ramziy mantiq asosida talqin qilinganligi ko'rsatiladi. Ishda Usmonli ayolining real hayoti va tasviriy "Sharq ayoli" mifi o'rtasidagi farq aniqlanadi.
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Maftuna Bobomurodova (2026) studied this question.
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