The eighteenth essay in Brainstorming with the Enemy began with a question typed before the author was properly awake, on 23 October 2026: his news reaches him through Google News and YouTube, and the watch that counts his lengths in the pool also counts his heartbeats at night, so how should he read, filter, own, set, keep, keep safe and share what they know? The argument with an AI that followed is told as it happened: the questions and objections are the author's, and the facts and studies are presented as the machine's input. The seven verbs sort themselves into twin machines: a news dashboard that reads the world for its owner, and a health dashboard that reads its owner. The essay draws one line through both. An owner may mute what he would rather not see, as medicine came to accept with the right not to be told; nobody may move the needle on the gauge, reporting a reading as more or less certain than the evidence allows. It shows that the twins are threatened from opposite directions, the news by text written to move the reading, the body by a record that leaks out; that the hardest settings are made by those who love us, through the care idea of the dignity of risk; and that the readings of many bodies form a shared hum that should share the answer, never the itinerary. It proposes five ideas to try: mute freely and leave the gauge alone; count the mutes for the owner only; give every mute an end date; keep the twins apart, their settings private, and call help before family; and leave one bell for danger to life beneath both. It leaves three questions open for readers to work on with their own AI, makes three requests, to the makers of assistants and wearables, to the authorities for medical devices and data, and to Switzerland's public-alert office, and gives, as an addendum, the Mute Ledger, with three measures and four predictions and what would refute each. Concepts proposed by the author: the Gauge and the Mute; the Mute Ledger. Written in part with Claude (Anthropic), an AI model. The ideas, editorial decisions and responsibility for the content are the author's.
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Daniel Jacquérioz (2026) studied this question.
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