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This article examines the anthroponyms used in the comedy “Temir Xotin” (“The Iron Woman”) by the renowned playwright Sharof Boshbekov from an onomastic perspective. It analyzes the motivations behind the selection and use of personal names in the literary work, their structural classifications, and their methods of formation.
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Xazratqulova Xusnidabonu Oybekovna (2026) studied this question.
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