This article revisits a qualitative research project concerned with listening to children and young people in care, not to present their voices as findings, but to interrogate the research processes through which voice becomes recognised as such. Drawing on Jacques Rancière’s philosophy, particularly his concepts of explication, the distribution of the sensible and the presupposition of equality, the article challenges the common assumption that children’s voices must be accessed, clarified or made intelligible through research methods. Instead, it shifts attention to how research itself participates in organising what can be heard as meaningful speech. The argument of this article unfolds through the portrayal of two ‘scenes’ (constructed scenes drawn from research encounters) where the reader is invited to challenge the assumed approach of viewing the scenes as data to be analysed, and instead to view them as sites of return through which the encounter is reworked in writing. These scenes foreground moments where voice is both present and unrecognised, and where meaning resists stabilisation, thereby exposing the conditions under which voice is taken up within research. This reorientation has implications for how qualitative research is understood. Rather than proposing new methods for capturing children’s voices, the article suggests attending to the conditions under which voice is constituted within research practices. Research is approached not as a means of revealing voice, but as part of the arrangement through which it becomes recognisable. Equality, therefore, is not treated as an outcome of research, but as a presupposition that must be sustained and questioned within it.
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Bugeja et al. (2026) studied this question.
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