Digital technology has changed the ways fans participate in cultural activities. Practices such as chart voting, comment control, and data production gradually become unpaid, organized, and affective digital labor. In available research, scholars either emphasize capitalist exploitation or highlight fan autonomy, and the concept of affective labor is inconsistently used. The three-level dynamics of individual psychology, community culture, and platform regulation lack integration. With this background, this paper reviews the literature on affective labor, audience commodity, digital labor, and fan culture, in order to figure out why fans continue to labor voluntarily and how multiple dynamics interact. Through comparison of theoretical genealogies and literature integration, the research constructs a three-dimensional framework of individual, community, and platform, which thereby explains that fan labor is neither pure exploitation nor complete liberation, instead, it is a complex practice pulled by three forces. Meanwhile, this paper hopes that future research can move beyond the either/or judgment of exploitation and liberation, and focus more on fans’ own role in labor and how fans produce meaning.
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李宇飞 (2026) studied this question.
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