This article examines the ways in which historical style is integrated into Khayriddin Sulton’s novel Yaldo kechasi (2025) from a linguopoetic perspective. It identifies the documentary-official speech register, chronicle-like intonation, and archaic lexical layer representing the realities of the period. The functions of these elements in creating an effect of authenticity, ensuring polyphony, and indirectly expressing the author’s position are substantiated.
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Xo'jamurodova Oydin (2026) studied this question.
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