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By turning a critical eye on aspects such as collective psychological empowerment, the power of white feminism and internalized misogyny, I discuss fan and media reactions to Taylor Swift’s canceled 2024 Vienna shows. I’m especially interested in how and why specific groups reacted to the annulment and how these statements work in shaping Swift’s perception as a public figure by keeping in mind that the musician offered her first public comments about the derailed shows nearly two weeks after the cancellation was announced.
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Magdalena Fürnkranz (2026) studied this question.
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