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Previous scholarship has established that videogames and fan communities serve as sites where queer representations are reproduced, altered, and challenged. Employing critical discourse analysis, this article examines the embodied experience of masculinity in the Chinese role-playing game Black Myth: Wukong , and how the game’s fanfiction reconfigures this experience. While the game compels players to enact a complex form of Chinese hegemonic masculinity characterized by implicit homosexuality and the downplaying of pain, fanfiction reconceptualizes this ideal. This new form is defined by a vulnerable yet powerful body that embraces pain, and a mind that integrates explicit homosexuality, intellectual prowess, and a sexuality rooted in intense, equal, and reciprocal love. This article therefore contributes to game studies, fan studies, and queer studies by examining the embodied experiences of masculinity in both the game and its fanfiction.
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Yuhua Hanna Wu (2026) studied this question.
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