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Indian bridal customs are frequently observed to reinforce aspirations and gender inequality. This research examines the tradition of incorporating the age-old craft of Godhadi, a sustainable patchwork quilt, into traditional wedding customs of rural Rajasthan. Using craft theory, anthropological viewpoints, and sustainability frameworks, the study explores how textile traditions in rural Rajasthan transcends physical borders without losing their roots. This study explores the potential of reimagining Godhadi, into Rajasthani bridal customs through exchange of gifts. Material culture analysis, fieldwork, semi-structured interviews, and participant observation including women artisans and recently married or engaged women in rural Rajasthan, are part of this qualitative ethnographic study. The findings suggest that a restricted practice, such as Godhadi, gains new significance while maintaining its cultural authenticity. The sustainable qualities of Godhadi quilts promote emotional value and environmental consciousness while providing an alternative to customary bridal trousseau rituals. Crafts like Godhadi are based on mutual respect, and community-led frameworks, and may be recontextualised across cultures in ways that are morally sound, and long-lasting. The study highlights Godhadi as a symbol of sisterhood, cultural preservation, collective empowerment and adds to the larger conversation on cultural ownership, and the transformative power of material culture.
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Swaroop et al. (2026) studied this question.
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