Waiting in the Age of Uncertainty: A Modern Reading of Samuel Beckett’s Waiting for Godot

Waiting for Godot, which may well have been one of the most significant dramatic texts in the twentieth century, stands out because of the way the act of waiting – seemingly an inactive process – becomes represented as a theatrical depiction of human existence. It has frequently been analyzed from the standpoint of absurdism, existentialism, and post-war disillusionment. However, the purpose of the present paper is to provide a new and contemporary perspective on Beckett's work and place it against the background of the broader modern experience of uncertainty, deferral, immobilization and vulnerable agency. The present paper will be based on textual analysis and selected approaches to Beckett's works, absurdist theory, performance criticism and research into waiting as a concept in interdisciplinary studies. Beckett’s circular structure, fragmented dialogue, unstable memory, repetitive temporality and refusal of narrative closure dramatize a world in which meaning is continually postponed rather than achieved. Godot is therefore read not as a fixed allegorical figure, but as an open signifier for deferred promises that shape modern life: progress, recognition, stability and individual fulfillment. This study demonstrates how Beckett exposes human agency’s vulnerability in systems of uncertainty through the analysis of Vladimir and Estragon’s dependence, Pozzo and Lucky’s relation of domination and the play’s repetitive structure of non-arrival. In the end, the paper contends that Waiting for Godot remains relevant because it presents waiting as a condition that defines modern human experience rather than as a void before life begins.