Samuel Beckett's Waiting for Godot and the Absurd Theatre

The research consists of three sections and conclusion. Section one deals with the idea of absurdity in the modern world has attracted many writers to thereby portray the bitter reality of a society being dominated by the discourse of modernism Section two focuses on Samuel Beckett's life and his works. In addition, Beckett places his characters in a dreamlike setting in his two-act tragicomedy Waiting for Godot (1948). The play has been criticized by a number of people; in 1953, Jacques Audiberin called it "a perfect work which deserves a triumph". Studies in Section Three Anticipating Godot as an Absurd Drama: The paper concludes with a list of references and a conclusion.. This study examines the meaning-seeking process, existentialist themes, and the human condition in Samuel Beckett's Waiting for Godot within the context of absurd theater. The play's repetitive dialogue and austere setting make it an ideal illustration of the absurdist belief that life is meaningless. The research looks at how the characters, Vladimir and Estragon, interact to show how their waiting for the illusive Godot symbolizes the pointlessness of life and the fight against hopelessness. The ridiculous routines and mutual dependence of the characters highlight the alienation and loneliness that come with living in the contemporary world. By situating Waiting for Godot in the context of Absurd Theatre, this research emphasizes Beckett's innovative use of language and structure, which challenges traditional narrative forms and invites audiences to confront the complexities of existence. Ultimately, the study reveals how Beckett's work serves as a poignant commentary on the human experience, encapsulating the essence of Absurdism through its exploration of time, identity, and hope.