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This discussion develops a generative–relational account of creativity through a minimal three-by-four taxonomy. It distinguishes transformations in manifesture reality, relational reality, and their coupled occurrence, across four generative loci: relational organization, dynamics, admissibility, and configuration or field ontology. A semigroup-action metamodel and conditional counterexamples clarify the preservation, collapse, and revelation of distinctions. Novelty is analyzed relative to reference histories and equivalence criteria; creative significance, agency, and normative legitimacy are treated independently. Controlled field models distinguish coupling, dynamics, constraints, and field-content modifications, while observational equivalence tests expose hidden responses and descriptions that differ without changing relevant behavior. Institutional countermodels examine how recognition, plural valuation, and support feedback affect the maintenance of creative possibilities. Exchange between partly coupled fields can redistribute local opportunities while conserving aggregate support. A boundary-mediated extension demonstrates, under explicit stability and enabling conditions, when complementary capacities sustain a joint practice and how feedback can maintain its operative interface. The analysis distinguishes newly accessible practices from transfers of existing stocks, descriptive reclassification, and modeler-introduced degrees of freedom. The framework thus connects the ontology of novelty with the conditions of creative reproduction and provides a conditional research language for AI-mediated, scientific, and cultural creation.
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Wanhong HUANG (2026) studied this question.
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