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Since 2009, Nigeria has talked about Boko Haram constantly and has arranged, in effect, not to account for it. At least ninety-one of the girls abducted from Chibok in 2014 are still in captivity or unaccounted for, and the fullest reckoning of the dead in the northeast is a statistical estimate, not a count of names. This essay reads that silence as a political arrangement through which the postcolonial state reasserts its sovereignty and certain Nigerians are produced, disciplined, and erased. Reading Habila, John, Ibrahim, and Soyinka alongside Agamben, Foucault and Mbembe, and Derrida, it distinguishes the juridical silence of abandonment, the disciplinary silence of biopolitical management, and the spectral silence of traumas the nation has refused to mourn, Biafra above all. Drawing on Elie Wiesel’s remark about the bystander, it identifies a fourth silence, that of a public that has learned not to hear, which turns the other three from state policy into national habit. It closes by arguing that silence in the Nigerian archive should be read as evidence, and that literature’s assumption of the work of public mourning signals institutional failure more than literary triumph.
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Uchechukwu Agbo (2026) studied this question.
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