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Thinking with Style MEIRAV ALMOG: Merleau-Ponty’s Ontology of Style: Thought, Expression, and Art RYAN CRAWFORD: The Fossil and the Word: Toward a Concept of the Philosophical Fragment MÉLANIE WEILL: Creative Metaphors: an essay on Bergson’s Writing Style STEPHEN HOWARD: The Material Literary Form of Kant’s Opus postumum ERIN S PLUNKETT: “Endless Specific Recoveries”: on the Genre of the Essay in Cavell MARINA MARREN: Masks and Monsters: on the Transformative Power of Art THOMAS SUTHERLAND: Style without Substance, Form qua Function: the NonphilosophicalUnilateralization of Philosophical Style Varia FLORIAN VERMEIREN: The Implicative Dimension of Time: from Bergson’s Duration toDeleuze’s Virtuality SAMUEL HONSBEEK: Why Nietzsche Does Not Object to False Judgments: an Essay onBeyond Good and Evil‘s Fourth Section JOHANN GOTTLIEB FICHTE: Ideas on God and Immortality: Lectures on Logic and Metaphysics, Trans. CHIU YUI PLATO TSE & RORY PHILIPS LEWIS HODDER: Art and the New Condition of Literature: Capital: New York, Capitalof the 20th Century by Kenneth Goldsmith J E MCNALLY: Reopening McLuhanism: On Understanding Media
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University of Warwick Plí: Department of Philosophy (2026) studied this question.
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