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In this essay, the authors use co-authorship to constitute a cross-generational and differently situated woman of color embodied “we.” Drawing on the intimacy forged through the processes and practices of co-writing we address select prior experiences of heartbreak and grief within relationships of woman of color solidarity. Whereas heartbreak can mark endings sometimes endured silently and shamefully as a means of enduring or moving beyond wounds we instead choose harping as a method of visibility, connection, and worldmaking.
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Tavarez et al. (2026) studied this question.
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