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Ludwig van Beethoven’s sustained musical productivity despite progressive hearing loss represents one of the most remarkable historical examples of adaptation to auditory deprivation. By integrating historical documents, personal correspondence, and musicological analyses, this paper evaluates these internal mechanisms within an audiological and neuroplasticity-oriented framework. The findings indicate that his creative output was potentially supported by vibration perception, motor memory, visual feedback, and internal auditory imagery. These observations suggest that Beethoven’s late works may reflect cross-modal neuroplasticity and somatosensory integration processes independent of auditory feedback. Ultimately, understanding these mechanisms may contribute to clinical perspectives on auditory rehabilitation, hearing loss adaptation, and patient-centered management strategies in individuals with severe hearing impairment.
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Emel Uğur (2026) studied this question.
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