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This article examines the representation of womanhood in Flora Nwapa’s Efuru (Citation1966), focusing on identity formation, female empowerment and the social stigma of childlessness in patriarchal Igbo society. Set in a strongly pronatalist context, the novel challenges dominant narratives that equate a woman’s value with reproductive capacity. The novel questions normative constructions of womanhood tied to marriage and motherhood and explores alternative paths to fulfilment grounded in economic independence, autonomy and social participation. The novel’s protagonist, Efuru, embodies the cultural ideals of beauty, industriousness and moral integrity, but her childlessness overshadows her achievements. Nwapa exposes the idealising of motherhood as a mechanism of social control causing exclusion and emotional suffering. At the same time, Nwapa reclaims indigenous cultural resources, like the lake goddess Uhamiri, to imagine female fulfilment independent of procreation. The study employs textual analysis within a socio-anthropological framework, integrating African and Western feminist theories on gender, identity and motherhood as both lived experience and institutionalized practice.
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Federico Vivanco (2026) studied this question.
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