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Movements of Immanence. Or, on the Conceptual Experimentation of the Body without Organs This article examines the Deleuze-Guattarian notion of the Body without Organs (BwO), illustrating its paradoxical topology within certain “practices of immanence,” which will be explored through a series of movements that characterize them. In particular, the role of the BwO will be examined within the tension between conceptual creation and dramatization to propose an interpretation in light of the One-Multiple relationship (and therefore within the context of an equally paradoxical ontology), before moving on to a “becoming-program” of the BwO — a program that is both transcendental, materialist and ethical — which characterizes the “machinic” thought of the two authors.
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Sara Baranzoni (2026) studied this question.
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