This paper attempts to reread selected passages from Jorge Luis Borges’s The Library of Babel and The Garden of Forking Paths, together with Italo Calvino’s Invisible Cities, from the perspective of the global–local structure. Its aim is not to offer a total interpretation of the two writers’ works, but to propose a limited comparative path: to observe how conceptual form, global structure, and human desire generate different local destinies. This paper argues that Borges’s two texts present a form of local collapse within a perfect concept. In The Library of Babel, the library, as a global textual system, preserves all possible books; at the same time, it also preserves truth, error, catalogues, false catalogues, and refutations. The problem is not the absence of meaning, but the fact that truth and noise are both incorporated into the same complete structure, making it impossible for the local subject to maintain a stable capacity for discernment. In The Garden of Forking Paths, Ts’ui Pên’s labyrinth of time preserves all possible paths; however, this global model of time does not exclude the irreversibility with which Yu Tsun completes an action, causes a death, and bears guilt along this particular path. From this perspective, the global structures in Borges’s texts often approach conceptual perfection. Yet when human desire attempts to find within them a position from which something can be possessed, proven, or completed, the local instead moves toward collapse and destruction. By contrast, the relevant passages in Calvino’s Invisible Cities present a form of local manifestation within an unguaranteed concept. The net of Octavia does not eliminate the abyss, yet it forms a limited support. Leisa is not a happy city, yet within unhappiness it presents brief lines of life-connection. The carpet of Eudoxia does not obtain final authority, yet it allows the city and the schema to remain in an unresolved relation of mutual illumination. Calvino does not use a perfect globality to guarantee local meaning; rather, he allows the local to manifest temporarily under conditions of incompleteness, instability, and the absence of final guarantee. Human desire here does not need to complete the totality, yet it can still show its human dimension through viewing, dwelling, connection, and support. Through this comparison, this paper suggests that the difference between Borges and Calvino lies not only in whether the global is complete, but also in the relation between conceptual form and human desire. Borges presents the severe pressure exerted by perfect concepts upon local desire; Calvino, by contrast, presents the possible manifestation of humanity within unguaranteed forms. Meaning is therefore not only a question of whether it exists, but of how local life enters global structures, endures them, collapses under them, or re-manifests itself within them.
Rinelle Chen (Tue,) studied this question.
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