What question did this study set out to answer?

This research aims to analyze the artistic and aesthetic representation of Abdurahmon Jomiy in the works of Alisher Navoiy.

June 3, 2026SCIENCE TIME0 citationsOpen Access

Navoiy Asarlarida Abdurahmon Jomiy Siymosining Badiiy-Estetik Talqini Va Pir-Muridlik Konsepsiyasi

NQNizomiddinova Ma’suma Abdumo‘min qizi

Key Points

This research aims to analyze the artistic and aesthetic representation of Abdurahmon Jomiy in the works of Alisher Navoiy.
Utilized comparative-typological, poetic, hermeneutic, and textual analysis methods.
Examined key texts including 'Hayrat ul-abror' and 'Farhod va Shirin' among others.
Identified the transition of Jomiy from historical figure to spiritual ideal.
Navoiy portrays Jomiy not just as a historical figure but as a symbol of spiritual perfection.
The analysis confirms how Navoiy expresses his aesthetic and mystical views through the character of Jomiy.

Abstract

Ushbu maqolada Alisher Navoiy asarlarida Abdurahmon Jomiy obrazining shakllanishi, uning ma’naviy-estetik talqini hamda pir-muridlik munosabatlarining badiiy ifodasi tadqiq etiladi. Tadqiqotda Jomiy siymosining tarixiy shaxsdan badiiy-ma’naviy ideal darajasiga ko‘tarilishi “Hayrat ul-abror”, “Farhod va Shirin”, “Layli va Majnun”, “Sab’ai sayyor”, “Saddi Iskandariy”, “Majolis un-nafois”, “Nasoyim ul-muhabbat”, “Muhokamat ul-lug‘atayn” va “Mahbub ul-qulub” asarlari asosida tahlil qilindi. Tadqiqot davomida qiyosiy-tipologik, poetik, hermenevtik va matniy tahlil usullaridan foydalanildi. Natijada Navoiy Jomiyni nafaqat tarixiy shaxs yoki ustoz sifatida, balki tasavvufiy-ma’rifiy komillik timsoli sifatida talqin qilgani aniqlandi. Shuningdek, Jomiy obrazi orqali Navoiy o‘zining estetik va tasavvufiy qarashlarini ifodalagani asoslab berildi.

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