This analysis examines how colour and imagery reflect critical mixed-race studies, highlighting identity intersections and racial boundaries.
This paper explores how Astrid Roemer’s disruptive use of imagery, wordplay and colour in the novel Off-White reflects foundational ideas of Critical Mixed-Race Studies, including the “mutability of race and the porosity of racial boundaries and categories” as well as the “interlocking nature of racial phenomena with gender, sex, sexuality, class, and other categories of difference’”(Daniel, Kina, Dariotis & Fojas, 2014).
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Carinya Sharples (2025) studied this question.
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