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This is a Literature Review study (also classified as: Observational).

September 10, 2025GragoatáOpen Access

Global South as Method: Decolonial Vision in the Films of Walter Salles (Brazil) and Jia Zhangke (China)

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Authors

CVChristopher VecoliUniversity of Illinois Urbana-Champaign

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Implication

This analysis uncovers common themes in the films of Walter Salles and Jia Zhangke, suggesting a deeper South-South dialogue. It highlights shared subaltern experiences in a neoliberal context.

Key Points

This work unveils unnoticed commonalities in films by Walter Salles and Jia Zhangke, indicating a foundation for further study.
The analysis underscores shared subaltern experiences under global neoliberalism, bringing fresh perspectives to previously overlooked themes.
A three-tiered model evaluates the layers of South-South dialogue and highlights collaboration amidst the filmmakers' unique narratives.
This research emphasizes the importance of recognizing regional and transnational connections in cinema, contributing to the discourse on the Global South.

Cite This Study

Christopher Vecoli (2025) studied this question.

synapsesocial.com/papers/68c1955c9b7b07f3a0619344 https://doi.org/10.22409/gragoata.v30i67.66814.en

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Implication

This analysis uncovers common themes in the films of Walter Salles and Jia Zhangke, suggesting a deeper South-South dialogue. It highlights shared subaltern experiences in a neoliberal context.

Global South as Method: Decolonial Vision in the Films of Walter Salles (Brazil) and Jia Zhangke (China)

Discussion

Member takes

Implication

Key Points

Cite This Study

Global South as Method: Decolonial Vision in the Films of Walter Salles (Brazil) and Jia Zhangke (China)

Discussion

Member takes

Implication

Key Points

Cite This Study

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