This analysis reveals patterns of graveyards' family plots from the 18th century, indicating social and archaeological implications.
The Irish churchyard family plot had its origins in the 18th century with the first widespread erection of stone markers, and clearer definition in the 19th century with kerbs and railings. Further evolution can be identified in the 20th century, with elaboration of the plot area. Influences from Britain and Europe can be recognised within the largely indigenous development of a characteristic and still-vibrant cultural tradition of grave definition. The social and ideological implications of plot development are discussed, as are the archaeological implications for interpretation of surviving monuments in contemporary graveyard recording projects.
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Harold Mytum (2004) studied this question.
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