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Visualization of Buddhist Ritual and Monastic Projects in the 17th Century through the Muryangsa Gwaebul (1627)

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The Muryangsa Gwaebul represents a pivotal element in the resurgence of Buddhist rituals after the Imjin War, restoring religious prominence.
Evidence suggests the Muryangsa Gwaebul was integral to repentance rituals, supporting both secular and devotional practices across temples.
Centered on monk Takgyu, reconstruction efforts around major temples signify a transformative period for the Buddhist community in Joseon.
The composition of the gwaebul blends ritual practice with visual art, emphasizing its role in facilitating religious devotion.

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This study examines gwaebul iconography and temple reconstruction in early 17th-century Joseon, highlighting its broader religious implications.

Kyung Hee Ryu (2025) studied this question.

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This study examines gwaebul iconography and temple reconstruction in early 17th-century Joseon, highlighting its broader religious implications.