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Subjective Religiosity in the Klim’s Theatre

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Klim's zero ritual embodies subjective religiosity, integrating religious motifs into contemporary theatre.
The evolution of rituality in theatre traces from Antonin Artaud's reflections to Klim's innovative practices.
Witness accounts reveal how Klim's rituals facilitate deeper connections to subjective religiosity.
The blend of theatrical practice and ritual elements showcases a revitalization of rituality in modern Russian theatre.

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Analysis of Klim's zero ritual illuminates its ties to subjective religiosity and ritual practices in European theatre.

Maria A. Ezhova (2025) studied this question.

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