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September 10, 2025Studia Religiosa Rossica Russian Journal of Religion

Anti-Religious Propaganda in the Ussr in the 1920s - 1930s: Academic Discourse and Conceptual-Theoretical Foundations of the Development of Anti-Religious Cinematography

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The anti-religious propaganda in the USSR during the 1920s and 1930s led to the emergence of a unique genre in cinema focused on atheism and religious criticism.
Research from the 'Anti-Religious' journal provides critical insights into how visual documents were used to map and reflect on religious groups within the Soviet Union.
The study identifies V.V. Stepanov's works as foundational in establishing principles for depicting religious groups in anti-religious films, influencing Soviet propaganda.
The findings highlight how the development of anti-religious cinema provided a significant means of cultural and ideological influence during the USSR's cultural revolution.

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Implication

This analysis highlights anti-religious propaganda's impact on cinematography in the USSR, revealing ideological implications. Techniques in visual documentation shaped the portrayal of religious views.

Cite This Study

Golovneva et al. (2025) studied this question.

synapsesocial.com/papers/68c1c9dd54b1d3bfb60f2de7 https://doi.org/10.28995/2658-4158-2025-2-132-149

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Anti-Religious Propaganda in the Ussr in the 1920s - 1930s: Academic Discourse and Conceptual-Theoretical Foundations of the Development of Anti-Religious Cinematography

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Discussion

Implication

Cite This Study

Anti-Religious Propaganda in the Ussr in the 1920s - 1930s: Academic Discourse and Conceptual-Theoretical Foundations of the Development of Anti-Religious Cinematography

Key Points

Discussion

Implication

Cite This Study