Objective: This article examines the classical concert experience, with a particular focus on the connection between immediate impressions after the concert and memories of the concert several weeks later. Methods: Qualitative interviews were conducted with participants of the study immediately after the concert. A second survey was conducted six weeks later. These studies were compared, analysing the immediate experience (interviews) and the lasting memories (survey) of the concert event. Results: The findings indicate that most respondents expressed positive evaluations of the concert and the music. The visual impressions regarding the musicians, the emotional proximity to the music and the concert venue are of particular significance regarding the concert experience. The study offers novel perspectives on the field of classical concert studies and provides insights into enhancing the accessibility of classical concerts for a broader audience. Via empirical-based audience studies, this study supports audience development in the field of classical music concerts.
Böndel et al. (Sat,) studied this question.
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