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The analysis reveals religious and mythological patterns in the film's imagery, indicating cultural significance.
The article addresses the imagery of the film “Commissar” by Alexander Askoldov. The author undertakes an episode-by-episode analysis of the film to reveal the use of religious and mythological images and patterns, including cultural phenomena and mythology that originated in the twentieth century.
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E. M. Pischita (2025) studied this question.
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