Contemporary discussions of moral expertise have raised a host of problems for the very idea of a “moral expert.” This article interrogates the conception of moral expertise that such discussions seem to assume and proposes instead that we understand moral expertise as a species of practical skill. On this model, a skilled moral agent is more similar to a skilled pianist than she is to a theoretical expert (for instance, an expert on the War of 1812). The article argues both that it is more natural to understand the moral “expert” as excelling in a form of skilled practice and that such a conception would render moot many of the concerns which preoccupy contemporary discussions.
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Sarah Stroud (2024) studied this question.
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