This study examines the adaptation of William Faulkner's short story "Barn Burning" into U-Wei Haji Saari's film "Kaki Bakar." Utilizing the theoretical frameworks of John M. Desmond and Peter Hawkes, and Brian McFarlane, this research investigates the narrative, thematic, and cultural transformations involved in the adaptation process. Through a comparative analysis, the study identifies elements that were retained, added, discarded, and modified in the film adaptation to reflect Malaysian societal issues and cultural identity. The findings reveal that U-Wei's adaptation not only preserves the core narrative of Faulkner's work but also infuses it with local cultural elements, addressing contemporary issues such as ethnic tensions and identity politics. This research contributes to the broader field of adaptation studies by highlighting the importance of cultural specificity and the adaptive strategies employed to resonate with new audiences. The study underscores the dynamic interplay between text and film, demonstrating the transformative power of adaptation in bridging cultural divides and fostering deeper understanding.
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Hamid et al. (2024) studied this question.
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