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Hilary Mantel’s Thomas Cromwell Trilogy, including “Wolf Hall” (2009), “Bring up the Bodies (2012) and “The Mirror & the Light” (2020) helps us to dive deep into the scenario of Tudor England, where religion and politics intertwined in varied ways. This research paper delves into Hilary Mantel’s portrayal of Tudor England, exploring how she paints the entire trilogy with high accuracy in historical information, well designed characters, and powerful drama to illuminate the complex relationship between religion and politics.
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