This article identifies and explores an inciting incident in two pre-apartheid South African novels: the trope of an 'arrival from abroad'. This trope centres on a character arriving by train from a place figured as foreign, whether that is Cape Town or London, to the rural South African setting of the story, bringing ideas of interracial togetherness with them that challenge local racial hierarchizations. Two novels are used as case studies, one from the beginning of the 20th century – Perceval Gibbon's Margaret Harding (1911) – and one written on the eve of apartheid – Peter Abrahams's The Path of Thunder (1948). The traveller from abroad is either a black South African who has been educated in Europe or Cape Town and arrives home to effect change, or the traveller is a white character from Europe whose values are pitted against those of white South Africans. In both cases, the 'arrival from abroad' is a destabilizing force to the local community, bringing often unwelcome ideas from outside. Together, Gibbon's and Abrahams's novels allow me to explore the interrelations between the mobility of ideas from one place to another, ideologies of race, the figure of the outsider, and train travel in South African literature from the first half of the 20th century. Comparing Gibbon and Abrahams enables me to trace differences and continuities over time and in diverse uses of the trope. This article argues that the 'arrival from abroad' trope is used to embody a notion of mobile ideas at a time when trains served to shift both goods and people to radical effect on society.
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Sanja Nivesjö (2024) studied this question.
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