This paper delves into the production of body images in internet art and its interplay with consumer society. Through an analysis of various works related to 'online bodies', the study uncovers the mechanisms of self-exposure and surveillance embedded within these images. These artworks illustrate not only how individuals portray themselves online but also how collective narratives emerge. Furthermore, the paper scrutinizes the role of body images within technological and cultural algorithms, shedding light on their significance in contemporary society.
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Qinhua Yang (2024) studied this question.
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