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Over the last sixty years there has been a progressive inclusion of instruments within the practice of electroacoustic music in parallel with the development of acousmatic music. This article analyses the conceptual implications and the crossovers between both musical attitudes, and the different tendencies which have sprung over this period. In many cases the use of traditional instruments has “expanded” the outreach of acousmatics.
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Daniel Teruggi (2024) studied this question.
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