Synapse
⌘+K
Synapse
PulseExploreClubsResearchersJournals
Instagram
HomeClubsExplore
June 1, 2024ArticultOpen Access

The Image of the “Red Horseman” in Soviet Propaganda Art. Origins and Transformations

View Full Paper
Ask AI
Bookmark
Share

Authors

JVJulia G. VoinovaSaint Petersburg Stieglitz State Academy of Art and Design

Discussion

Loading...

Member takes

Implication

Key Points

Key points are not available for this paper at this time.

Cite This Study

Julia G. Voinova (2024) studied this question.

synapsesocial.com/papers/68e67069b6db6435875fb052https://doi.org/10.28995/2227-6165-2024-2-17-29
View Full Paper
Ask AI
Bookmark
Share

Also Consider

Synapse has enriched 5 closely related papers on similar clinical questions. Consider them for comparative context:

  1. 1SEMANTICS OF THE CONCEPT OF “STEED”/“HORSE”IN THE RUSSIAN ART OF THE FIRST THIRD OF THE20TH CENTURY: “A HORSE AS A HORSE” AND “WE AREALL A LITTLE BIT HORSES”2024 · 1 citations
  2. 2POSTERS AND SLOGANS OF THE GREAT PATRIOTIC WAR IN THE FUNDS OF THE STATE ARCHIVES OF THE SARATOV REGION2025 · 1 citations
  3. 3THE IMAGE OF THE ENEMY IN SOVIET PROPAGANDA DURING THE TURNING POINT OF THE STRUGGLE AGAINST FASCISM (June 1942 – August 1943)2024
  4. 4Representations of the image of Peter the Great as exemplified by “The Bronze Horseman” by É. Falconet and A. S. Pushkin in the context of social memory: From artistic image to mythological figure2024
  5. 5Images of the heroes of the Great Patriotic War in Soviet art cinematography in 1941-1945: creation of models of higher social behavior2025