The Becoming-Greek Tragedy of Julian Barnes's Love, etc

Deleuze and Guattari's becoming is a dynamic alliance with beings. It is not a monad but creative involution. The incorporeal becoming deterritorialises the beings and roams nomadically between them. It has no subject or object, nor does it have centre or periphery; it is a becoming-in-itself. This article analyses the differences between Nietzsche's becoming and that of Deleuze and Guattari. It also summarises the three attributes of a becoming, which is solipsistic, revolutionary and always in-between. Julian Barnes's novel Love, etc exclusively utilises monologues as the narrative device which, along with its minimal personae, penetrating conflict and unsettling ending, prompts a becoming-Greek tragedy similar to Antigone . The becoming-Greek tragedy is not a simple average of the two beings; rather, it is a heterogeneous, molecular interbeing.