This article probes culture as a site of both cooperation and rivalry by examining two exhibitions, of 1939 and 1942, which were jointly supported by Hitler's Germany and Mussolini's Italy. These under-researched exhibitions reveal how the two regimes shared a common belief in culture as a tool of mobilization, but differed in their visions of race, culture, ideology and war.
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M. Stone (2024) studied this question.
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