Arriving in Havana in 1948, eighteen-year-old Néstor Almendros (1930–1992), who would go on to become one of the most renowned cinematographers of the twentieth century, found that "Cuba was a privileged place to see films."[1] Not only did he find a large range of moviegoing options with hundreds of movie theaters showing films from different nationalities in their original
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Irene Rozsa (2024) studied this question.
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