In the late 1940s, two highly significant cineclubs were founded in the city of Montevideo, Uruguay, building on the work of Cine Arte del SODRE, an initiative of the state-run broadcaster and cultural agency Servicio Oficial de Radiodifusión Eléctrica, which sought to create a public space for the diffusion of alternative cinema beginning in 1944. Cine Club del Uruguay and
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Mariana Amieva (2024) studied this question.
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