The figure of Orpheus has been and continues to be the subject of in-depth studies focusing mainly on the historical, religious (relative especially to Orphism), and then iconographic aspects (the representation of Orpheus and typical moments of mythical imagination that concern him). It may be interesting here to draw a precise map of places visited by Orpheus, alive but also once killed, through his prophetic head and lyre. This paper also aims to present the iconographic itinerary of the journeys of the Thracian singer between Ancient and Modern times.
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Ceci et al. (2024) studied this question.
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